QUOTE (Morgan_Moore @ May 26 2007, 04:51 PM)
Nothing is 'obvious' to me
the design process at sinar just seems to happen in a funny order from where I am sitting/standing
(which happens to be behind a camera quite a lot)
If I were building cars I would have 'wheels' in the original spec not as an upgrade 'some time in the future'
If I were designing Live View I would have 'works in light' in the original spec not as an upgrade 'some time in the future'
----
So it is bright with an H1 or an Hy6 unless you use ND or dim modelling lights
Say that again - bright with the HY6 your brand new camera
Which is very cool in front of clients who pay you to you use all this 'gucci kit'
(can I have one to review please !)
S
Morgan:
The issue with using ND filters or dimmer modeling lights is not camera specific, nor is it digital back specific. This is not a Sinar issue. All digital backs that utilize Live Video suffer from the issue of too much light producing wide swaths of flare and other visual distortions.
It has nothing to do with Sinar or any particular camera you use it on. The Live Video, and the brightness or dimmness of it would be the same whether you were using a Hy6 or a 503CW.
The LC Shutter eliminates this issue. The downside is that it's an extra piece you have to hang off the lens. The upside is that it eliminates any flare issues and produces the best quality Live Video of any digital back without question.
Steve Hendrix
Professional Photographic Resources
www.ppratlanta.com