The Agony and the Ecstasy An Essay on Large Format Photography

March 31, 2011 ·

Alain Briot

Why 4x5?

I was once asked, during an interview for theVideo Journal, (Issue 1, Number 1) , why I decided to use a 4x5 camera. My immediate answer was the one you would expect: I use 4x5 because of the superb detail available from such a large original, the superlative lens quality, the movements afforded by a view camera, and so on. In one word:quality.

Chinle Arch. Schneider Super Angulon 47mm XL f5.6 and Fuji Provia 100F

Later on that same day, while still being interviewed, I found myself under the dark cloth composing an image on the ground glass of my Linhof field camera. In this intimate setting, shielded from prying eyes by the black cloth, I thought of another, more honest answer: I use a 4x5 view camera because I have tried all the other available formats and found none to be as satisfying as 4x5. In other words I attempted to avoid using 4x5 but was forced to accept that only 4x5 would allow me to create the kind of images I wanted to create.

For many years I se...

Alain Briot creates fine art photographs, teaches workshops and offers DVD tutorials on composition, raw conversion, optimization, printing and marketing. Alain is the author of Mastering Landscape Photography, Mastering Photographic Composition and Marketing Fine Art Photography. All 3 books are available from Alain’s website as well as from most bookstores. You can find more information about Alain's work, writings and tutorials as well as subscribe to Alain’s Free Monthly Newsletter on his website. You will receive over 40 essays in PDF format, including chapters from Alain’s books, when you subscribe.

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