It has often been remarked that one of the prime markets forEpson's R-D1digital rangefinder camera is the group of photographers throughout the world who already own many rangefinder lenses in Leica M and thread mounts. In addition to these potential owners, there are also people buying the R-D1 who do not currently own rangefinder cameras or lenses. That latter group needs to choose lenses for the camera and many in the former group will need to expand their lens kits to include some new wider lenses. Due to the 1.53X magnification (compared to 35mm film) effect of the R-D1's APS-C sized, sensor, all lenses have a narrower effective field of view on the Epson than they would have on full-frame 35mm cameras. So, while a 28mm lens is a moderate wide-angle on film, it's really more like a short normal (42mm effective FOV) lens on the R-D1. Photographers using most of the current digital SLRs are used to this effect.
In this review, I look at eleven lenses f...
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Sean Reid has been a commercial and fine art photographer for more than thirty years. He studied photography at Bard College under Stephen Shore and Ben Lifson. In the late 1980s he worked as an exhibition printer for Wendy Ewald and other fine art photographers. In 1989, he was the first American photographer to receive an artist-in-residence grant from the Irish Arts Council in Dublin, Ireland and his work is held in their collection. That same year he gave a guest lecture at Dun Laoghaire Institute of Art in Dublin. In the early 1990s Sean met occasionally with Helen Levitt to discuss and edit pictures he was making in the subways of Budapest and New York City. These were exhibited in New York in conjunction with performances by Jens Nygaard's Jupiter Symphony.
Sean's work for clients is often of weddings and architecture. His editorial work has appeared in magazines such as Motorcyclist, Rider and The Robb Report. His personal work is primarily of people in public places -- especially in rural New England where he resides.
In 2004, Sean began reviewing cameras and lenses for Luminous Landscape. The following year he began Reid Reviews (link: www.reidreviews.com), a site -- of equipment reviews and essays on photography -- that accepts no advertising and is paid for entirely by subscribers. Written primarily for professional and serious amateur photographers the site has become known for its in-depth analysis based on both field and studio testing. Sean also serves as an unpaid consultant, advisor and sometimes beta tester for several camera and lens manufacturers.
http://www.reidreviews.com
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