Digital Ebony

January 13, 2009 ·

Richard Sexton

Since the introduction of the Canon D30, the first affordable DSLR, in 2000, digital imaging has grown dramatically.  It’s been nothing less than a revolution in still photography.  Now, in early 2007, small and medium format film photography is in decline, supplanted by the DSLR and medium format digital backs.  Large format film photography remains alive and well — a viable alternative to the pervasive digital sensor.  However, many LF photographers appreciate, and perhaps even need, to incorporate digital capture in their work without giving up the image quality and perspective controls afforded by the view camera.

There are three common ways that view cameras can be repurposed for digital imaging.  One modification is to attach a DSLR to the rear standard or rear frame of the view camera.  Of course, the largest chip on a DSLR is 24x36mm, so the applications of such a modification are fairly restrictive.  Nonetheless, such a setup can be valuable for close-ups...

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Richard Sexton is a fine art and media photographer whose work has been published and exhibited worldwide. He has been published in magazines such as Abitare, Archetype, Louisiana Cultural Vistas, Photographer’s Forum, and View Camera. His most recent book, Creole World, published in 2014 by The Historic New Orleans Collection, is the 12th book he has authored, co-authored, or photographed. Previously published titles include a monograph, Terra Incognita: Photographs of America’s Third Coast, published by Chronicle Books, San Francisco, in 2007. Chronicle Books also published the best selling New Orleans: Elegance and Decadence in 1993 and Vestiges of Grandeur: The Plantations of Louisiana’s River Road in 1999. To date Sexton has over 300,000 books in print. In 1997 Sexton curated the exhibit Sidney Bechet: A World of Jazz 1897-1997, which commemorated the hundredth anniversary of the influential jazz musician’s birth. Sexton has had major solo museum exhibitions at the Frost Art Museum in Miami, FL, (2015); the Pensacola Museum of Art in Pensacola, FL (2015); The Historic New Orleans Collection (2014); the Polk Museum of Art in Lakeland, Florida (2014); the Walter Anderson Museum of Art in Ocean Springs, MS (2010); the Ogden Museum of Southern Art (2007 and 2005); among others. Sexton’s photographs are included in the permanent holdings of The Historic New Orleans Collection, New Orleans Museum of Art, Ogden Museum of Southern Art, LSU Museum of Art, Polk Museum of Art, Frost Art Museum, Pensacola Museum of Art, and numerous private collections. In 2014, Richard Sexton received the Michael P. Smith Award for Documentary Photography from the Louisiana Endowment for the Humanities. Also in 2014, he was an award recipient in American Photography magazine’s Latin America Fotografia 3 annual.

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