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There has been a resurgence in interest by photographers of all stripes in working in Black and White. I attribute this to the growing popularity of digital image processing technology during the past few year. You can read my musings on this subject in the article entitledBlack & White Revival.

Working with colour transparencies we routinely examine our film under a magnifier on a light box to identify those images that are worth printing. With colour negative or chromogenic films most photographers will get a set of inexpensive machine-made wallet sized prints at the time of developing to use in evaluating results. But for photographers who want to work with B&W film the only alternative is to make a contact sheet.

Since wet darkrooms are quickly going the way of the Dodo bird, and custom labs can charge $10 for a B&W contact sheet, how does one make a digital contact sheet at home?

From Chemical Trays to Flatbed Scanners

In the B&W ...

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Michael Reichmann
Michael Reichmann
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Michael Reichmann is the founder of the Luminous Landscape. Michael passed away in May 2016. Since its inception in 1999 LuLa has become the world's largest site devoted to the art, craft, and technology of photography. Each month more than one million people from every country on the globe visit LuLa.
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