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A Critique of Current Options By Richard Sexton For the past 30 years I’ve plied my trade as a commercial architectural photographer and for 23 of those years (1980-2003) my primary camera in this endeavor was the classic view camera.  Over the years, I used a Sinar F, a custom configuration of the Arca-Swiss, now available as the F-line field, and finally the Ebony 45SU and SW45, which were my favorites for architectural work when shooting film.  In 2003, I purchased a Canon 1Ds.  During the film-only era of photography I had used Nikon gear along with a Leica M rangefinder for its wide-angle offerings. (Schneider 21mm Super Angulon and Cosina Voigtlander 15mm, both of which were better than Nikon’s retrofocus wide angles.)  I became a Canon user in the digital era because of their full frame cameras, tilt-shift lenses, and the versatile EOS mount, which via adapters could accept tilt-shift and perspective correction lenses from Mamiya, Nikon, ...

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Richard Sexton is a fine art and media photographer whose work has been published and exhibited worldwide. He has been published in magazines such as Abitare, Archetype, Louisiana Cultural Vistas, Photographer’s Forum, and View Camera. His most recent book, Creole World, published in 2014 by The Historic New Orleans Collection, is the 12th book he has authored, co-authored, or photographed. Previously published titles include a monograph, Terra Incognita: Photographs of America’s Third Coast, published by Chronicle Books, San Francisco, in 2007. Chronicle Books also published the best selling New Orleans: Elegance and Decadence in 1993 and Vestiges of Grandeur: The Plantations of Louisiana’s River Road in 1999. To date Sexton has over 300,000 books in print. In 1997 Sexton curated the exhibit Sidney Bechet: A World of Jazz 1897-1997, which commemorated the hundredth anniversary of the influential jazz musician’s birth. Sexton has had major solo museum exhibitions at the Frost Art Museum in Miami, FL, (2015); the Pensacola Museum of Art in Pensacola, FL (2015); The Historic New Orleans Collection (2014); the Polk Museum of Art in Lakeland, Florida (2014); the Walter Anderson Museum of Art in Ocean Springs, MS (2010); the Ogden Museum of Southern Art (2007 and 2005); among others. Sexton’s photographs are included in the permanent holdings of The Historic New Orleans Collection, New Orleans Museum of Art, Ogden Museum of Southern Art, LSU Museum of Art, Polk Museum of Art, Frost Art Museum, Pensacola Museum of Art, and numerous private collections. In 2014, Richard Sexton received the Michael P. Smith Award for Documentary Photography from the Louisiana Endowment for the Humanities. Also in 2014, he was an award recipient in American Photography magazine’s Latin America Fotografia 3 annual.
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