Epson Stylus Photo 1280 Review

January 13, 2009 ·

Michael Reichmann

NewThis subject will be featured in a forthcoming issue of The Luminous Landscape Video Journal.

Once More With Feeling

Like clockwork‚ and as it does every 12 months, in early 2001Epsonreleased its next-generation photographic printer, theEpson Stylus Photo 1280. (In some worldwide markets it is also called the1290 ‚ same printer, just a different name). There is also an890model, offing the same image quality but with a narrower paper transport. Everything I write here about the1280applies to the1290and also to the890, in that particular case with the exception of paper-width handling ability.

It’s been exactly a year since theEpson 1270appeared. At that time it caused a real stir among desktop printers. It offered 6 inks, 1440 dpi output resolution and 20‚ 30 years colorfastness with certain papers. (Equaling Cibachrome / Ilfochrome in this area).My reviewof the 1270 still remains one of the most visited pages on this site.

The1270has had a bit of choppy year because of reported problems withorange fadewhen usingEpson Premium Glossy Photopaper. For a while Epson was even offering people their money back if they were unhappy as a result of this problem. The furor has now died down and the problem appears to have disappeared with the recall and subsequent replacement of this paper.

Regrettably this hubbub masked the fact that theEpson 1270has been the finest photographic quality inkjet printer available to date. As I said in my initial review, "After some 35 years as a photographer, printer and teacher I can say that the Epson 1270 along with its new inks and papers is the first inkjet printer that can claim to supplant traditional wet process photographic printing! "

Now theEpson 1280is upon us. It uses the same inks and papers as the1270but is touted as having 2880 dpi resolution‚ double that of the 1270. Let’s see how it shapes up.

The Claims

Firstly, this review assumes that you are already familiar with theEpson 1270. If not, please readmy reviewfrom the Spring of 2000. The1280is a modest upgrade to last year’s1270. Epson claims a somewhat enhanced colour gamut. The printer is also capable of 2880dpi horizontal resolution Vs. a maximum of 1440dpi for the1270. It ships with a roll paper carrier (this was extra cost on the 1270) and also has the ability to print edgelessly on certain papers at certain sizes. Physical cosmetics are slightly different, and that’s about it.The same ink cartridges as the1270uses are used on the1280. Of these enhancements the only one that I consider of importance is the 2880 dpi printing mode. I was also curious to see if the enhanced colour gamut would be visible.

The Results

My tests consisted primarily of making three variation prints using a standard test file. I usedEpson Premium Semi-Gloss, printing with a 360 dpi output file fromPhotoshop 6. Each printer’s provided profiles were used. Other papers were subsequently tested as well.  The three prints were….

Epson 1270 @ 1440 dpi

Epson 1280 @ 1440 dpi

Epson 1280 @ 2880 dpi

Here’s the quick answer to how they turned out:All three prints looked essentially identical.The1280prints were ever so slightly darker than those from the1270 ‚ less than an eighth of a stop. (I’m too lazy to get out the spectrophotometer for an exact reading). As far as visible resolution differences go, no print looked more or less sharp than any other, even under close visual examination. The colour palette was also essentially identical.

But, when I examined the prints under a high quality (Schneider 4X MC) loupe things were quite interesting. The dithering pattern used in the new1280software is clearly superior to that of the1270. The dithering texture that one sees under high magnification with a1270imagejust isn’t therein 1440 dpi prints from a1280

I then compared the two 1280 prints; 1440 dpi Vs. 2880 dpi. Again, there was a difference, with the 2880 dpi print displaying even less dithering than at 1440 dpi. In fact, except in mid-to-dark tone transition areas it’s almost impossible to see the dithering patterns at all in 2880 dpi mode.

The Conclusion

This is a case of theoretical and marketing specs Vs. the real world. To repeat, there is essentiallynovisible difference to the naked eye in resolution, clarity or dithering visibility betweenEpson 1270and1280prints. Thereisa visible difference though when examining the prints under a 4X or higher magnification high-quality loupe. My evaluation is that there isno advantagefor anyone owning anEpson 1270to upgrade to a1280(as there definitely was a year ago from the1200to the1270). If you are in the market for a new printer then I can highly recommend theEpson 1280. It’s an excellent printer‚ almost certainly the finest low-priced photo printer to date. Only theEpson 2000Poffers it any competition, and then only in the area of print longevity. As for the 2880dpi mode Vs. 1440 dpi, the slowdown in printing speed is considerable, and apparently so is the increase in ink usage. Many have called this capabilitymarketing dpi, and I’m afraid that unless one spends ones days looking at prints under a Loup, I have to agree. This is a modest upgrade to an already fine product. During the Spring of 2001 if you can find a1270at a good price‚ go for it. If you want the latest and greatest, and the1270sare all gone, then by all means buy anEpson 1280. For the next year or so it’s going to be king of the hill of photo-quality printers.

A 2000P Postscript

No sooner had this review appeared online than I started to receive queries as to how theEpson 2000Pcompared under the Loup test with the1270and1280. In a word‚identical. In terms of apparent resolution all three printers turned out prints that were comparably sharp to the naked eye. Under a loupe though the2000Phad the coarsest dithering pattern of the three. It also had a slightly warmer colour cast under a 3200 degree Kelvin quartz halogen lamp, while as expected, under a 5000 degree KelvinOtt-Liteprints had a slight green cast due to metamerism. Bottom line? I want a printer with the dithering pattern of the1280at 2880 dpi;  the speed and colour rendition of a1270or1280at 1440 dpi, and the light-fastness of the pigment-based inks of a2000P. I want it all, and I want it now :~) Update: July, 2002 If one waits long enough, prayers can be answered. TheEpson 2100/2200now provides everything I asked for above.

About Resolution & Sharpness

If you are curious about the issue of print sharpness and how we perceive it you might be interested in my tutorialUnderstanding Sharpness.

NewThis subject will be featured in a forthcoming issue of The Luminous Landscape Video Journal.

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Michael Reichmann is the founder of the Luminous Landscape. Michael passed away in May 2016. Since its inception in 1999 LuLa has become the world's largest site devoted to the art, craft, and technology of photography. Each month more than one million people from every country on the globe visit LuLa.

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