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Review By: Sean Reid
Northampton, Mass., Epson R-D1, Nokton 50/1.5, F/11 @ 1/500 ISO 400

I best beginby describing what this article is and what it isn't.  It is not a definitive lab test of rangefinder lenses; in fact, it isn't a definitive test at all.  Readers seeking rigorous and thorough technical tests of lenses such as the ones I've evaluated here should by all means look at the work of lens expert Erwin Puts, whose web site can be foundhere.    If you're primarily looking for that kind of lens information, I recommend ending your read of this article right now and going straight to that site.   My approach to testing these lenses is both subjective and pragmatic.  There are growing numbers of photographers, professional and amateur, using the Epson R-D1 as their primary camera.  Many of them, myself included, are doing photographic work in situations where existing light is sometimes limited and "fast" lenses, lenses that are able ...

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Sean Reid has been a commercial and fine art photographer for more than thirty years. He studied photography at Bard College under Stephen Shore and Ben Lifson. In the late 1980s he worked as an exhibition printer for Wendy Ewald and other fine art photographers. In 1989, he was the first American photographer to receive an artist-in-residence grant from the Irish Arts Council in Dublin, Ireland and his work is held in their collection. That same year he gave a guest lecture at Dun Laoghaire Institute of Art in Dublin. In the early 1990s Sean met occasionally with Helen Levitt to discuss and edit pictures he was making in the subways of Budapest and New York City. These were exhibited in New York in conjunction with performances by Jens Nygaard's Jupiter Symphony. Sean's work for clients is often of weddings and architecture. His editorial work has appeared in magazines such as Motorcyclist, Rider and The Robb Report. His personal work is primarily of people in public places -- especially in rural New England where he resides. In 2004, Sean began reviewing cameras and lenses for Luminous Landscape. The following year he began Reid Reviews (link: www.reidreviews.com), a site -- of equipment reviews and essays on photography -- that accepts no advertising and is paid for entirely by subscribers. Written primarily for professional and serious amateur photographers the site has become known for its in-depth analysis based on both field and studio testing. Sean also serves as an unpaid consultant, advisor and sometimes beta tester for several camera and lens manufacturers. http://www.reidreviews.com
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