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When I was invited to participate in this panel on “Life as a Photographer”, it was expected that I speak about things like “working with a publisher”, “pitching a book idea”, “managing a book project”, etc. Those are interesting questions, to be sure. But when I was first approached, my thoughts about “life as a photographer" headed in a rather different direction.

The first thing I asked myself was, “how does life as a photographer differ from life as anything else: a plumber, a bus driver, a nuclear physicist...?”

If I am a commercial photographer then perhaps the difference isn’t so great.

But what if I consider myself a “fine-art” photographer? I put that word inside quotation marks because wary of labels that pigeonhole people or kinds of work; nevertheless, I think we all understand the general distinction.

To me the distinction goes something like this (and I’m not making value judgments; not saying that one kind of photographer is better or more gifted than...

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Mark Schacter’s photography encompasses subjects ranging from landscapes to urban and architectural to industrial. Three books of his photography have been published: Houses of Worship (2013), Sweet Seas. Portraits of the Great Lakes (2012) and Roads (2010). He compares his approach to photography to “the way an archaeologist might search for clues about an extinct civilization. I see landscapes and cityscapes as being filled with traces of human striving – attempts to build things, enjoy life, raise families, create wealth or simply leave behind physical evidence that will outlast a human lifetime; evidence that says ‘someone has been here’ “. His most recent exhibition, a selection of 20 photographs from Houses of Worship, opened at the Photopolis Festival of Photography in Halifax, Nova Scotia in September, 2014. His latest project, West, can be seen on YouTube, in high-definition, at http://youtu.be/zU1dRHynaQU Mark lives in Ottawa, Canada. A broad selection of his work can be seen at www.luxetveritas.net
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