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By Sean Reid

I must start by saying that the following is not a review or even a mini-review. Michael has asked me to share some of my impressions of the Ricoh GXR-A12 and these comments, of course, certainly won't cover all aspects of the camera (they are not intended to). In fact, what I primarily want to do here is to look at how the the GXR, as a type of camera, might fit into the range of digital camera options we have in 2010.
I want to thank photographerMitch Allandwho provided the first two pictures that illustrate this essay. The product pictures of the camera components were provided by Ricoh Japan and the other illustrations were made by the author.
Over the past few years, Ricoh has developed a strong, if somewhat quiet, reputation as a maker of high quality small sensor cameras for serious photographers. I described their original GR Digital model, first introduced in 2005, as a "pocket sketchbook". With a fixed 6 mm (28 mm EFOV) lens, a rugged body and intelligently de...

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Sean Reid has been a commercial and fine art photographer for more than thirty years. He studied photography at Bard College under Stephen Shore and Ben Lifson. In the late 1980s he worked as an exhibition printer for Wendy Ewald and other fine art photographers. In 1989, he was the first American photographer to receive an artist-in-residence grant from the Irish Arts Council in Dublin, Ireland and his work is held in their collection. That same year he gave a guest lecture at Dun Laoghaire Institute of Art in Dublin. In the early 1990s Sean met occasionally with Helen Levitt to discuss and edit pictures he was making in the subways of Budapest and New York City. These were exhibited in New York in conjunction with performances by Jens Nygaard's Jupiter Symphony. Sean's work for clients is often of weddings and architecture. His editorial work has appeared in magazines such as Motorcyclist, Rider and The Robb Report. His personal work is primarily of people in public places -- especially in rural New England where he resides. In 2004, Sean began reviewing cameras and lenses for Luminous Landscape. The following year he began Reid Reviews (link: www.reidreviews.com), a site -- of equipment reviews and essays on photography -- that accepts no advertising and is paid for entirely by subscribers. Written primarily for professional and serious amateur photographers the site has become known for its in-depth analysis based on both field and studio testing. Sean also serves as an unpaid consultant, advisor and sometimes beta tester for several camera and lens manufacturers. http://www.reidreviews.com
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