The Single Case of the Epson SC-P800 Printer
and Epson Ultra Premium Presentation Luster Paper (UPPL)
This note owes its existence to challenging statements from Bob David (Bob Rosinsky) on the LuLa Forum, to which some members took vigorous exception, about the merits of PMC for this specific combination of printer and paper. While one can always take sides in a debate based on general impressions, I decided that a more rigorous approach to the question may be warranted. I always like going back to “first principles” when challenged and do a fact check. So this is just that.
In comparing PMC with application-based ICC colour management (ACC), what am I looking for? Most importantly, I’m concerned about the accuracy of hue and tone rendition between the image file and the print, gamut volume, maximum Black, and smoothness of tone gradations where they should be smooth.
I’ve already demonstrated (in “Printing Can be Fun and Easy”) that tone ramps can reproduce smoothly whether with PMC ...
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Mark has been making photographs for the past six decades and started adopting a digital workflow in 1999 first with scanning film, then going fully digital in 2004. He has worked with a considerable range of software, equipment and techniques over the years, accumulated substantial experience as an author, educator and communicator in several fields and is a frequent contributor to the Luminous-Landscape website. Mark developed a particular interest in film scanning and authored the ebook “Scanning Workflows with SilverFast 8, SilverFast HDR, Adobe Photoshop Lightroom and Adobe Photoshop” available on the SilverFast website. In his “other life” (the one that pays for the photography), Mark is a retiree from the World Bank Group and now a consultant in electric power development.
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