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In this article, I will review the VR Drive II panoramic system using the practical examples and experience I gained from using it in various situations. Due to space considerations, I will not cover the panoramic composition and the panoramic viewpoint, also I won't spend time on the actual stitching methods. If there is an interest in these subjects, I can address them in follow-up articles.

I was first introduced to Seitz rotational film cameras in the mid nineties when I used the compact 35mm Roundshot 35/35 (pictured here) and the 120mm Super 220VR cameras. One of the most interesting things about using the Super 220VR camera with different lenses was that it was possible to produce a single negative (or transparency) between 10cm and 200cm (yes, up to two meters) long.
Seitz Roundshot VR Drive II is not a new device, although it is still relatively unknown outside of a rather small group of panoramic photographers. The original VR Drive was announced by Seitz Phototechnik about ...

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Les Palenik
Les Palenik
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Les Palenik is an Ontario-based photographer. Totally camera-agnostic, he's been using various models of Canon, Nikon, and Fuji film cameras. Prior to using VR Drive, he used also robotic GigaPan Epic panoramic tripod head. All images in this article including the finished panoramas were processed with a cloudless, non-subscription perpetual copy of Adobe Photoshop CS5. Originally a computer engineer, he's always been attracted to panoramic photography, but by now he has run out of all available wall space. When he is not shooting or stitching pano shots, he is still writing programs, among other things also software for automation of the panoramic image workflow.
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