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Please note that the JPG files below, once reduced in size and compressed for the web, do not show as great a difference as Mark describes from his evaluation of the originals. Since Mark is a reliable observer it is worth recognizing his comments as superceding what you may see here in these examples. – Michael
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Bill Caulfield Browne's articleon this site came within a few days of the time I tested the 24~105 - but for a different purpose in a different manner. For the past year I have been using the 28~135 IS USM because it is relatively inexpensive, portable, has good zoom range and is an eminently decent quality lens. I knew it wasn't top-of-the-line Canon, but it worked well for me. Along came the 24~105 offering portability (only a wee bit heavier than the 28~135), good zoom range and top quality at three times the price. Quandary: is it worth sinking about USD $1250 on top of the $400 I spent last year on the ...

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Mark Segal
Mark Segal
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Mark has been making photographs for the past six decades and started adopting a digital workflow in 1999 first with scanning film, then going fully digital in 2004. He has worked with a considerable range of software, equipment and techniques over the years, accumulated substantial experience as an author, educator and communicator in several fields and is a frequent contributor to the Luminous-Landscape website. Mark developed a particular interest in film scanning and authored the ebook “Scanning Workflows with SilverFast 8, SilverFast HDR, Adobe Photoshop Lightroom and Adobe Photoshop” available on the SilverFast website. In his “other life” (the one that pays for the photography), Mark is a retiree from the World Bank Group and now a consultant in electric power development.
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