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Overview
This article reviews eight papers of interest, in the context of our theme “Back to the Print”. The papers for this review were selected based on interest in the market, interest in forum discussions, being recent products deserving attention and diversity of printing choices. They are listed in Figure 1 of the article. Six are gloss/luster type papers (“PK” papers) and two are matte (MK papers). The papers come from Hahnemuhle (Fine Art Baryta Satin, Photo Pearl, Photo Rag), Ilford (Gold Fibre Gloss, Smooth Pearl, Cotton Artist Textured) and Harman (Photo Baryta and Photo Baryta Warmtone). Within the PK category two are of the luster type, two are “pearl” (a beadier kind of luster), while the Harman papers resemble unferrotyped gloss. Within the MK group, Photo Rag is smooth neutral and Cotton Artist Textured is textured with a slightly warm paper white.

The article begins with quantitative descriptions of the papers’ characteristics and ends with an aesthetic appreciat...

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Mark has been making photographs for the past six decades and started adopting a digital workflow in 1999 first with scanning film, then going fully digital in 2004. He has worked with a considerable range of software, equipment and techniques over the years, accumulated substantial experience as an author, educator and communicator in several fields and is a frequent contributor to the Luminous-Landscape website. Mark developed a particular interest in film scanning and authored the ebook “Scanning Workflows with SilverFast 8, SilverFast HDR, Adobe Photoshop Lightroom and Adobe Photoshop” available on the SilverFast website. In his “other life” (the one that pays for the photography), Mark is a retiree from the World Bank Group and now a consultant in electric power development.
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