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Richard Sexton with an Ebony Camera
Ebony Camera is not exactly a household name in the photographic community, or in the mainstream of camera manufacturing for that matter. But for those photographers who have used, or even seen, an Ebony View Camera, with its meticulous handmade construction of macassar ebony wood, titanium, and leather, is a camera and visual experience you never forget. Jeff Taugner at Badger Graphic Sales, the largest Ebony reseller in the United States, put it definitively and succinctly during a recent phone conversation, “Ebony is the finest wooden field camera ever made and, honestly, nothing else is even close.” After June 30, 2016, Ebony Camera will cease manufacturing their iconic cameras. Final orders have been pouring in since the news went public that June 15, 2016, would be the cut off date for orders for new cameras. Ebony will spend the next few months fulfilling orders, and these will be the last cameras delivered world wide. The good news for Ebony ...

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Richard Sexton is a fine art and media photographer whose work has been published and exhibited worldwide. He has been published in magazines such as Abitare, Archetype, Louisiana Cultural Vistas, Photographer’s Forum, and View Camera. His most recent book, Creole World, published in 2014 by The Historic New Orleans Collection, is the 12th book he has authored, co-authored, or photographed. Previously published titles include a monograph, Terra Incognita: Photographs of America’s Third Coast, published by Chronicle Books, San Francisco, in 2007. Chronicle Books also published the best selling New Orleans: Elegance and Decadence in 1993 and Vestiges of Grandeur: The Plantations of Louisiana’s River Road in 1999. To date Sexton has over 300,000 books in print. In 1997 Sexton curated the exhibit Sidney Bechet: A World of Jazz 1897-1997, which commemorated the hundredth anniversary of the influential jazz musician’s birth. Sexton has had major solo museum exhibitions at the Frost Art Museum in Miami, FL, (2015); the Pensacola Museum of Art in Pensacola, FL (2015); The Historic New Orleans Collection (2014); the Polk Museum of Art in Lakeland, Florida (2014); the Walter Anderson Museum of Art in Ocean Springs, MS (2010); the Ogden Museum of Southern Art (2007 and 2005); among others. Sexton’s photographs are included in the permanent holdings of The Historic New Orleans Collection, New Orleans Museum of Art, Ogden Museum of Southern Art, LSU Museum of Art, Polk Museum of Art, Frost Art Museum, Pensacola Museum of Art, and numerous private collections. In 2014, Richard Sexton received the Michael P. Smith Award for Documentary Photography from the Louisiana Endowment for the Humanities. Also in 2014, he was an award recipient in American Photography magazine’s Latin America Fotografia 3 annual.
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