How This Photograph Was Made: Grand Canyon Daytime Part 2: Let’s talk about composition
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Good composition is like a suspension bridge - each line adds strength and takes none away.
Robert Henri
1 - Introduction
This is part two of a two-parts essay. In the previous essay, part one, we looked at how the image was created, from field work to studio work, including shooting, converting, stitching, processing and image optimization. Here, in part two, we are going to look at the composition of the image, not only in terms of how the image was composed in the field but also in terms of what we can learn from comparing the different compositions that I considered when creating this image. In this regard a few words may be useful in order to explain how I approach composition. Let’s start with that.
Because of my approach to field work, I return to my studio with many different options for the composition of the image. You may say ‘well, what is your approach to field work then?’ Good question! In short, my approach to field work is to shoot liberally, not being concerned w...
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Alain Briot creates fine art photographs, teaches workshops and offers DVD tutorials on composition, raw conversion, optimization, printing and marketing. Alain is the author of Mastering Landscape Photography, Mastering Photographic Composition and Marketing Fine Art Photography. All 3 books are available from Alain’s website as well as from most bookstores.
You can find more information about Alain's work, writings and tutorials as well as subscribe to Alain’s Free Monthly Newsletter on his <a href="http://www.beautiful-landscape.com/">website</a>. You will receive over 40 essays in PDF format, including chapters from Alain’s books, when you subscribe.
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