I very much enjoyed a recent trip to Ithaca, New York during which I was able to see my friend Michael Reichmann again and meet Chris Sanderson and Mark Dubovoy. Michael seemed to be his old self -- no small thing when one considers that this man has recently survived a serious battle with cancer. He looked so well, in fact, that I sometimes forgot just what he had been dealing with over the past year.
From his writing, one can tell that Mark is serious and meticulous. But what one might not guess is that he is a walking encylopedia of jokes and stories. He's a natural entertainer. Chris is a modest and quiet man who often looks as if he's just barely decided against getting himself into mischief. He's patient and professional. Just before I left he and I began a really interesting discussion about film-making understood as moving photography -- each of us thinking about particular films in which the cinematography particularly impressed or moved us.
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Sean Reid has been a commercial and fine art photographer for more than thirty years. He studied photography at Bard College under Stephen Shore and Ben Lifson. In the late 1980s he worked as an exhibition printer for Wendy Ewald and other fine art photographers. In 1989, he was the first American photographer to receive an artist-in-residence grant from the Irish Arts Council in Dublin, Ireland and his work is held in their collection. That same year he gave a guest lecture at Dun Laoghaire Institute of Art in Dublin. In the early 1990s Sean met occasionally with Helen Levitt to discuss and edit pictures he was making in the subways of Budapest and New York City. These were exhibited in New York in conjunction with performances by Jens Nygaard's Jupiter Symphony.
Sean's work for clients is often of weddings and architecture. His editorial work has appeared in magazines such as Motorcyclist, Rider and The Robb Report. His personal work is primarily of people in public places -- especially in rural New England where he resides.
In 2004, Sean began reviewing cameras and lenses for Luminous Landscape. The following year he began Reid Reviews (link: www.reidreviews.com), a site -- of equipment reviews and essays on photography -- that accepts no advertising and is paid for entirely by subscribers. Written primarily for professional and serious amateur photographers the site has become known for its in-depth analysis based on both field and studio testing. Sean also serves as an unpaid consultant, advisor and sometimes beta tester for several camera and lens manufacturers.
http://www.reidreviews.com
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