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byMichael ThompsonWhile I was in the middle of taking an extended series of black and white street portraits, over a period of several months with a 400 Takumar often combined with 1.4 or 2.0 extender that people I focused on saw me more often than not, before I could get a shot off. It started to frustrate me to be robbed again and again at the last moment of the naturalness of someone unaware. I wanted to capture that magic moment before they realized their picture was being taken – or better yet – not at all. So what were my alternatives? Up to now I had been doing all my work hand held. I knew that using a larger lens would mean having to use a tripod. This I had to accept. The question was how much larger was I willing to go. I first checked out the specs on the 500mm and 600mm. The 500mm I felt would not to be powerful enough. And the 600m – what a weighy monster that one is. See Michael Reichmann's reviewhere.There had to be lens that would give me that reach ...

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Michael Reichmann is the founder of the Luminous Landscape. Michael passed away in May 2016. Since its inception in 1999 LuLa has become the world's largest site devoted to the art, craft, and technology of photography. Each month more than one million people from every country on the globe visit LuLa.
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