I’ve been a Nikon guy since carrying an FE-2 and a bunch of manual focus lenses up to the Mount Everest base camp twenty-five years ago. There have been many Nikons between it and my present D800 that’s part of a package of over twenty lenses and accessories. I like the durability, ergonomics, and image quality of Nikons, even the way they feel in my hand versus other brands. But then I had a family.
Lugging around the D800 and lenses on a family vacation where shooting is priority zero became a drag. A not-great back doesn’t help. While I like the noise performance and shallow depth-of-field of full frame, and love optical viewfinders, I wanted to cut size and weight, but as much as possible, retain a similar capability to my Nikon package. As a film director/DP by trade who spends a lot of time with a camera in hand, I was also looking for a camera to ‘bond’ with. The intangibles; the intersection of ergonomics and feel are very important to me.
Four summers ago, with a ...
Read this story and all the best stories on The Luminous Landscape
The author has made this story available to Luminous Landscape members only. Upgrade to get instant access to this story and other benefits available only to members.
Why choose us?
Luminous-Landscape is a membership site. Our website contains over 5300 articles on almost every topic, camera, lens and printer you can imagine. Our membership model is simple, a Dollar-a-Month ($12.00 USD a year). This $12 gains you access to a wealth of information including all our past and future video tutorials on such topics as Lightroom, Capture One, Printing, file management and dozens of interviews and travel videos.
New Articles every few days
All original content found nowhere else on the web
No Pop Up Google Sense ads – Our advertisers are photo related
Download/stream video to any device
NEW videos monthly
Top well-known photographer contributors
Posts from industry leaders
Speciality Photography Workshops
Mobile device scalable
Exclusive video interviews
Special vendor offers for members
Hands On Product reviews
FREE – User Forum. One of the most read user forums on the internet
Access to our community Buy and Sell pages; for members only.
At this point, I’ve directed, shot, cut and/or written several hundred spots, industrials, features, docs., shorts and television shows. My work has appeared theatrically, on most major television/cable stations, and has won several awards. My start with photography began with an Olympus OM-1, a good chance of what I know about exposure and composition comes from early experiences with that camera.
I primarily direct and shoot, though I’m often involved in the edit -- as a director, my method is to previsualize the whole piece shot-by-shot, cut-by-cut. In all roles, I consider myself fundamentally a storyteller, be it straight drama or getting across a corporate message.
I’ve been NY -based since completing the NYU Graduate Filmmaking Program. Upon graduating, I bought a Super16mm camera package and began my professional career shooting indie features and docs. I’ve shot on five continents, from 18,000 feet above sea level on Mt. Everest to 100 feet below it in the Indian Ocean. Crew sizes have ranged from a few to nearly a hundred.
I presently have two feature films in development based on screenplays and treatments I wrote: ‘Roy’s Last Run’ and ‘Deep Down Dead’.
Be in the Know: Get the Exclusive LuLa Newsletter Sent to Your Inbox!
Get access to exclusive articles, behind-the-scenes content, and become a valued member of our photography team! Subscribe now to elevate your photography experience.