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Photography isn’t creative. I know, those are fighting words. Please put down the pitch forks for a few minutes and let me explain the distinction I see.

A medium

Photography is a medium, not something magic. Merriam Webster defines the aspect of “medium” I am referring to as “A means of effecting or conveying something; a mode of artistic expression or communication”.

I know artists who express their art by taking pictures, some who put paint of a canvas, some who sculpt, others who make fabric creations, some who write or create music or make videos. I have known some who build art from scrap metal, even some who cut out bits of paper and create designs on a wall with them, and one or two who dance. These are just some I know personally.

These artists all use a different medium for their creation. The medium sets parameters about what the resultant creation is: large, small, heavy, light, 2 dimensional, 3 dimensional, persistent or transient, etc. But the medium does not create the art. It is the mode through which the art is expressed.

image
©Ed Schlotzhauer

Cameras don’t create

A camera is a tool of the photographer. Some people think photography is not art because you just point a camera at something and press the button and capture it. When you do this, you usually get pictures that look like you just pointed the camera at something and pushed the button. No life. No excitement. Not that much interest. A record of something, not art.

Luckily we have not gotten to the point that AI-equipped cameras try to make art all by themselves. It is still up to the photographer as artist to make the creative decisions.

These decisions are what shape most of the outcome.

Skill

Photography is a medium and a technology. As such, it has limits on what it can do. Some things can be done very well and some things are difficult or impossible. For instance, it is difficult to create 3D images photographically. Not impossible, but difficult.

Amazing things can be done by a craftsman wielding their tools expertly. As a photographic artist, we learn to think photographically, to internalize how to use the technology to create what we visualize. How to use our tools.

But what I am describing is a process of an artist using tools to create art. The tool does not create the art. It helps express the artist’s will.

A general flow for photography is establishing a concept, visualizing the intended result, capturing the image, and refining it on the computer. Which of those stages allow creativity?

Trick question. All of them.

image
©Ed Schlotzhauer

People create

A paintbrush does not create a great work of art. A chisel does not produce an amazing sculpture. And a camera does not produce an amazing, creative photograph.

It is the artist using the tool that receives the credit, because it is his creative vision that applies the tools skillfully to achieve his intent. Every artist or craftsman I know appreciates excellent tools and likes to use the best he can afford. The quality and precision of great tools makes the creative process more of a joy when you know how to use them well.

Same with photography. All the photographers I know love to talk about their tools. They long to have the highest quality cameras and lenses, the best computer and monitor. But they also recognize that these things are only tools. Good tools might make their work a little easier, but it doesn’t change their art.

But the tool does not do the creative work. Photographic technology is a medium. If we are using a camera we must understand the strengths and weaknesses of the medium. As creatives, we must know how to use the medium to achieve our goals. That is very different from just taking a picture.

image
©Ed Schlotzhauer

The medium isn’t the art

So the medium is the channel we use to create or deliver our art. Nothing more. It is a “means of effecting or conveying something.” What we convey is our artistic vision. How we use the properties of the medium is part of the creative process.

The way we express our vision may be different in a painting versus a photograph. We may have to choose the correct medium to achieve certain outcomes. You would have a challenge to express your music as a painting, for instance. Or maybe that would inspire you to push the medium of painting in new directions.

Note: AI isn’t people

An elephant in the room in conversations about art and creativity is AI. Let me go on record as saying, in my opinion, AI does not and cannot create art. It can make nice pictures that are very useful for advertising and utilitarian use. But it can never create, because computers can’t think, or feel, or appreciate art.

AI models are trained using data from existing work. This is a major ethical question being debated, but not the issue here.

Everything the model “knows” is work that has been done in the past. It will not be inspired to create something new. Inspiration requires a consciousness. Only humans are able to do that.

AI can be useful as a helper, just not as a creator.

image
©Ed Schlotzhauer

Photographic art

Despite being maligned and excluded from the ‘inner circle” of fine art by established interests, photography continues to make inroads as a recognized art medium. Photographic artists continually push the limits of the medium and use those limits to inspire their creativity. Much of the creative discovery is at the limits of what can be done.

Photography is just a medium. As that, it is not creative in itself. But artists can product creative works using it. The medium influences the art. The art uses the medium.

Postscript

As I write this, it is the day of the 50th anniversary of the release of the movie Jaws. The story behind it is fascinating. I would like to share a few highlights I have found that are relevant to today’s topic.

Jaws was conceived as a low budget horror movie. It was given to an almost unknown director named Stephen Spielberg. But 2 unanticipated things happened that set it apart and allowed it to become one of the iconic movies of history.

First, Spielberg collaborated successfully with a relatively unknown music writer, Jon Williams. Many say half the impact of the movie was the famous theme song.

But of even more interest to me is that a huge factor in what the final product became was that the mechanical shark didn’t work. It was cheaply made. No one had thought to test it in salt water. Because it didn’t work reliably and he felt it looked pretty dumb, Spielberg showed it a lot less than they originally planned. Surprisingly, this resulted in greater drama and made the shark more menacing. Overall, the movie was a great success, partly because of a balky mechanical shark.

A great artist, creatively adapting to the limitations of his medium and budget, unexpectedly created something wonderful. Something that is still recognized as great 50 years later. Creative problem solving. That is inspiring.


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Photography and writing have been my creative outlet for many years. I am captivated by the endless creative possibilities and want to explore them.
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