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Shades of Blue - © Richard Sexton, from the book Creole World.
On the fine art side of the equation, photography was coming into its own in the 70s. The elevation of photography to art form, comparable to older media, like painting and sculpture, was built on the impact photography had made on the printed page and that impact was cultural, broad-based, and international in scope. During my interviews, Mike Blumensaadt was the first to recount that his dream in the early 60s was to have a career as a working photographer, making a living with a camera. This was the goal of all the other photographers I talked to, as well. David Rae Morris stated he didn’t even think about museum exhibits or print sales until much later in his career—20 years later. Alex MacLean, who would go on to win the Rome Prize and is now represented by galleries internationally, wasn’t thinking of exhibits either. He was merely elated that after 4 years of waiting tables at night, and chasing freelance work during...

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Richard Sexton is a fine art and media photographer whose work has been published and exhibited worldwide. He has been published in magazines such as Abitare, Archetype, Louisiana Cultural Vistas, Photographer’s Forum, and View Camera. His most recent book, Creole World, published in 2014 by The Historic New Orleans Collection, is the 12th book he has authored, co-authored, or photographed. Previously published titles include a monograph, Terra Incognita: Photographs of America’s Third Coast, published by Chronicle Books, San Francisco, in 2007. Chronicle Books also published the best selling New Orleans: Elegance and Decadence in 1993 and Vestiges of Grandeur: The Plantations of Louisiana’s River Road in 1999. To date Sexton has over 300,000 books in print. In 1997 Sexton curated the exhibit Sidney Bechet: A World of Jazz 1897-1997, which commemorated the hundredth anniversary of the influential jazz musician’s birth. Sexton has had major solo museum exhibitions at the Frost Art Museum in Miami, FL, (2015); the Pensacola Museum of Art in Pensacola, FL (2015); The Historic New Orleans Collection (2014); the Polk Museum of Art in Lakeland, Florida (2014); the Walter Anderson Museum of Art in Ocean Springs, MS (2010); the Ogden Museum of Southern Art (2007 and 2005); among others. Sexton’s photographs are included in the permanent holdings of The Historic New Orleans Collection, New Orleans Museum of Art, Ogden Museum of Southern Art, LSU Museum of Art, Polk Museum of Art, Frost Art Museum, Pensacola Museum of Art, and numerous private collections. In 2014, Richard Sexton received the Michael P. Smith Award for Documentary Photography from the Louisiana Endowment for the Humanities. Also in 2014, he was an award recipient in American Photography magazine’s Latin America Fotografia 3 annual.
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