Nikon D800E - Bayer Pattern Sensor, "Optical Low Pass FilterWithout Anti-Aliasing Properties"
A little more than a year ago Michael Reichman, Nick Devlin and I were all sitting down to lunch in a cafeteria at the Jacob Javits Center in New York City. We were there for the annual PDN Photo Plus show and the conversation was largely about which new cameras seemed most interesting to us. "For me", I said, "It's the Fuji X100. Fuji is now trying to out-Leica Leica." And what I meant by that was that Fuji had introduced a competitor to Leica's X1 that not only looked a lot like a Leica M camera - complete with various analog controls - but which also featured a window finder with frame lines. That type of window finder has been integral to the Leica M camera line since it was first introduced and Fuji did a good job of integrating such a finder into the X100 (albeit without a rangefinder). The "M" in "M camera", of course, refers to "messsucher" - the German word for rangefinder.
That lead ...
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Sean Reid has been a commercial and fine art photographer for more than thirty years. He studied photography at Bard College under Stephen Shore and Ben Lifson. In the late 1980s he worked as an exhibition printer for Wendy Ewald and other fine art photographers. In 1989, he was the first American photographer to receive an artist-in-residence grant from the Irish Arts Council in Dublin, Ireland and his work is held in their collection. That same year he gave a guest lecture at Dun Laoghaire Institute of Art in Dublin. In the early 1990s Sean met occasionally with Helen Levitt to discuss and edit pictures he was making in the subways of Budapest and New York City. These were exhibited in New York in conjunction with performances by Jens Nygaard's Jupiter Symphony.
Sean's work for clients is often of weddings and architecture. His editorial work has appeared in magazines such as Motorcyclist, Rider and The Robb Report. His personal work is primarily of people in public places -- especially in rural New England where he resides.
In 2004, Sean began reviewing cameras and lenses for Luminous Landscape. The following year he began Reid Reviews (link: www.reidreviews.com), a site -- of equipment reviews and essays on photography -- that accepts no advertising and is paid for entirely by subscribers. Written primarily for professional and serious amateur photographers the site has become known for its in-depth analysis based on both field and studio testing. Sean also serves as an unpaid consultant, advisor and sometimes beta tester for several camera and lens manufacturers.
http://www.reidreviews.com
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