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By Sean Reid of Reid Reviews
Editor's Note:

The publication in early March of my essay Your Camera Does Matter turned out to be controversial. This was not likely the case because of what I actually wrote, but rather because some folks with possibly sub-optimal reading skills thought one of two things:

1: That I thought that talent, training, vision, emotion and the likedidn't matter. How anyone with reading skills beyond those of a 10 year-old could think that is beyond me, but nevertheless the nasty emails and online nattering began.
2: That I was somehow engaging Ken Rockwell in a debate.Not.I really don't know or even care to know what his ever changing position on this subject is this month, this week, or yesterday. Rather, I was simply using his ill-named essay as a jumping off point for my own thoughts on the subject
One of those people who can read, and can do so exceptionally well because he is a very fine writer, is Sean Reid. Sean, the author of this counterpoint essay, h...

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Sean Reid has been a commercial and fine art photographer for more than thirty years. He studied photography at Bard College under Stephen Shore and Ben Lifson. In the late 1980s he worked as an exhibition printer for Wendy Ewald and other fine art photographers. In 1989, he was the first American photographer to receive an artist-in-residence grant from the Irish Arts Council in Dublin, Ireland and his work is held in their collection. That same year he gave a guest lecture at Dun Laoghaire Institute of Art in Dublin. In the early 1990s Sean met occasionally with Helen Levitt to discuss and edit pictures he was making in the subways of Budapest and New York City. These were exhibited in New York in conjunction with performances by Jens Nygaard's Jupiter Symphony. Sean's work for clients is often of weddings and architecture. His editorial work has appeared in magazines such as Motorcyclist, Rider and The Robb Report. His personal work is primarily of people in public places -- especially in rural New England where he resides. In 2004, Sean began reviewing cameras and lenses for Luminous Landscape. The following year he began Reid Reviews (link: www.reidreviews.com), a site -- of equipment reviews and essays on photography -- that accepts no advertising and is paid for entirely by subscribers. Written primarily for professional and serious amateur photographers the site has become known for its in-depth analysis based on both field and studio testing. Sean also serves as an unpaid consultant, advisor and sometimes beta tester for several camera and lens manufacturers. http://www.reidreviews.com
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