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April 8, 2011
Never discount the ability to create effective photographs during a rainy overcast day.

On my last day in Yang Shao, China we were hit with some pretty bad weather. Instead of staying in the hotel, I traveled to a view point along the Li River to shoot some limited edition, fine art black and white images. I knew from experience that images taken on a day like this could yield dreamy photos with just a basic amount of dodging and burning once converted from a color capture. 

My workflow for these images was fairly simple. I created a virtual copy in Lightroom, desaturated the image by dragging the Saturation Slider to 0 and then using the Brush Tool to selectively dodge and burn areas of the sky to make the clouds pop. Then, Jay Goodrich, my co-leader on this trip, opened the images in Photoshop CS 5 and added an Auto Curves adjustment layer that, to my surprise, made the images just jump off of the page.   When I have more time than I do on location, I ...

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American photographer, author and conservationist, best known for color images of wildlife, landscapes and native cultures. His photographs document scenes from every continent and hundreds of locations, and have been noted by environmental advocacy groups for their "stunning" visual impact.
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