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There’s been much discussion of Black and White (B&W) conversion techniques on the Luminous-Landscape Forum and elsewhere – it’s a timeless and favorite topic for many, because B&W remains an important artistic medium.
There have been lively debates about the best techniques, and doubtless there will be more. Some approaches are more laborious than others, some provide more flexibility, more control and more reversibility than others, and some just seem to be able to produce better results. While techniques such as conversion to grayscale, conversion to L*a*b*, the Channel Mixer, the Channels to Layers technique and an old faithful plug-in “Convert to Black and White Pro” have been around quite a while, the Grayscale panel in Lightroom/Camera Raw and the B&W Adjustment Layer in Photoshop CS3/CS4 reallyupped-the-anteas very flexible, non-destructive and powerful B&W conversion tools. Then over a year and a half ago NIK introduced Sil...

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Mark Segal
Mark Segal
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Mark has been making photographs for the past six decades and started adopting a digital workflow in 1999 first with scanning film, then going fully digital in 2004. He has worked with a considerable range of software, equipment and techniques over the years, accumulated substantial experience as an author, educator and communicator in several fields and is a frequent contributor to the Luminous-Landscape website. Mark developed a particular interest in film scanning and authored the ebook “Scanning Workflows with SilverFast 8, SilverFast HDR, Adobe Photoshop Lightroom and Adobe Photoshop” available on the SilverFast website. In his “other life” (the one that pays for the photography), Mark is a retiree from the World Bank Group and now a consultant in electric power development.
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