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New scanner models that claim properties of high resolution and high dynamic range for scanning film always raise considerable interest these days, because there is a dearth of choice on the new product market, while the highly-reputed models of the past have become costly legacy items. Hence when Epson provided me the opportunity to review the new model V850 Pro, the controversies sprang to mind regarding how well a flatbed scanner could compare with high quality dedicated film scanners and whether you need to spend a fortune to get very usable results from a scanner. These issues remain topical to a great many people holding large archives of film media they hope one day to digitize – or are doing so already.
Epson V850 Pro (Photo: courtesy of Epson America)
The film media we scan is diverse: 35mm, medium format, negatives, positives, colour, black and white (B&W), and more. As well, people who scan photographic media are concerned about resolution, sharpness, dynamic range, colo...

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Mark Segal
Mark Segal
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Mark has been making photographs for the past six decades and started adopting a digital workflow in 1999 first with scanning film, then going fully digital in 2004. He has worked with a considerable range of software, equipment and techniques over the years, accumulated substantial experience as an author, educator and communicator in several fields and is a frequent contributor to the Luminous-Landscape website. Mark developed a particular interest in film scanning and authored the ebook “Scanning Workflows with SilverFast 8, SilverFast HDR, Adobe Photoshop Lightroom and Adobe Photoshop” available on the SilverFast website. In his “other life” (the one that pays for the photography), Mark is a retiree from the World Bank Group and now a consultant in electric power development.
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