Ilford started marketing this paper in Canada in early 2018. Their Canadian distributor, having seen my reviews of several other washi-type papers, suggested I may wish to have a look at this one. I did, and I liked what I saw, so I decided to write it up and share with you my observations, admittedly “a bit” later on in time!
Ilford describes the product as a fine art paper with a traditional Washi Japanese base and a finely textured surface consisting of an Ilford inkjet coating. It was made to have “the look and feel of Japanese hand-made paper”, contains no optical brighteners and is acid-free. The weight is 110gsm. In North America it is available in six sheet sizes and two roll sizes; sheet: 4”x6”, 5”x7”, US Letter, 11”x17”, A3+ and 17”x22”; roll: 24”x 49’ and 44”x49’. It’s profile for the Epson SC-P5000 printer is keyed to Epson USFAP.
As usual, I present my statistical findings based on profile measurements and test target prints, followed by an assessment of prints of r...
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Mark has been making photographs for the past six decades and started adopting a digital workflow in 1999 first with scanning film, then going fully digital in 2004. He has worked with a considerable range of software, equipment and techniques over the years, accumulated substantial experience as an author, educator and communicator in several fields and is a frequent contributor to the Luminous-Landscape website. Mark developed a particular interest in film scanning and authored the ebook “Scanning Workflows with SilverFast 8, SilverFast HDR, Adobe Photoshop Lightroom and Adobe Photoshop” available on the SilverFast website. In his “other life” (the one that pays for the photography), Mark is a retiree from the World Bank Group and now a consultant in electric power development.
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