Red River Palo Duro Softgloss, Palo Duro Etching and San Gabriel Baryta Paper Review
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Red River Papers
Goreme, Turkey; B&W/Color Mix Made in Lightroom; Photo Co. Mark D. Segal
Publishers Note: Mark has done an extensive review of both the Moab and Red River papers. In his previous review he looked at the Moab papers and in this review he covers the Red River line of papers
Red River Palo Duro Softgloss
This is a very lively, moderately textured luster-like paper with cotton rag substrate and no OBAs. It’s paper-white looks neutral-warmish, measured paper white being a bright L*98.2, b*0.2 (ever so slightly warm), whereas a* is -0.7, a little bit cool). It’s a quite hefty paper at 310gsm and 16.5 mil thickness, so you would feed this through the Canon Pro-1000 Manual feed or the Epson P800 Front Fine Art feed.
Figure 62. Red River Palo Duro Softgloss, Epson P800 Printer
Figure 63. Red River Palo Duro Softgloss, Canon Pro-1000 Printer
Gamut volume is remarkably large for these printers, the largest being about 867K for the OEM profile in the Canon Pro-1000 and the nar...
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Mark has been making photographs for the past six decades and started adopting a digital workflow in 1999 first with scanning film, then going fully digital in 2004. He has worked with a considerable range of software, equipment and techniques over the years, accumulated substantial experience as an author, educator and communicator in several fields and is a frequent contributor to the Luminous-Landscape website. Mark developed a particular interest in film scanning and authored the ebook “Scanning Workflows with SilverFast 8, SilverFast HDR, Adobe Photoshop Lightroom and Adobe Photoshop” available on the SilverFast website. In his “other life” (the one that pays for the photography), Mark is a retiree from the World Bank Group and now a consultant in electric power development.
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