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The Making of a
Fine Art Photograph
By Pete Myers

Long Road Down © 2005, Peter H. Myers
In 2005, after the release of my article, Making Images—Not Taking Images, I received a number of requests from readers, asking me to further elaborate on the subject of how a fine art photographic image is derived from its raw components—in other words, making an image in post-production, not just taking an image in the field and calling it good.
Since that time, I have been waiting for the right image to appear in my portfolio work that would yield an interesting illustration of image development, yet not become so overly complex in post-production as to overpower the reader by the process. I believe my recent image, Long Road Down, fulfills the need nicely.
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Intent
For me, fine art photography is a metaphor for a feeling that the artist is trying to express to the viewer. It is not about the object, place, or event of the p...

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Michael Reichmann is the founder of the Luminous Landscape. Michael passed away in May 2016. Since its inception in 1999 LuLa has become the world's largest site devoted to the art, craft, and technology of photography. Each month more than one million people from every country on the globe visit LuLa.
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