Good morning! A few weeks ago my friend Steve Rosenblum packed himself off to Vermont to take a Jon Cone Workshop. This is his personal

Bronicas and Robot Friends: What I Did Last SummerI thought I was losing my curmudgeon status for a while there. I woke up in the

More on Clichés and How to Avoid 'EmGood morning! Today I'd like to do something I do every once in a while, when it's merited

Where the HECK is Digital B&W?!? I’m a CIT (Curmudgeon-in-Training), so I have lots of pet peeves. One of the worst of them is the

Headlines from 2011 My take on what the news might look eight years from now...happy Fourth of July weekend to all yous Americans! >>> British

A Weekly Column By Mike Johnston © Mike Johnston 2002 I became aware recently of the work of a photographer named Wade Heninger. Wade, whom I

Digital Processing The magazine articleAn Introduction to Digital Imagingwhich I wrote forPhoto Techniquesmagazine in the fall of 1998 gives a general overview of how to

A Tutorial by Miles Hecker NB: Please note that whenever possible Curves as well as any other form of image adjustment should be done as

This article is excerpted fromChapter 7ofAndrew Rodney's bookColor Management for Photographers. It is provided here as a counterpoint to a previously published article byNigel Williams,

These days, as a photographer, one strives constantly to not become a data center administrator. What with endless upgrades, updates, revisions, patches, security alerts, subscription

November 13, 2006 Regular contributor Alain Briot is back with his latest installment in the series Reflections on Photography, titled The Eye and the Camera.

By: Miles Hecker Color photography, especially color printing has always been a challenge. Photographers as renown as Ansel Adams have felt intimidated trying to produce worthy color