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THE YIN AND THE YANG As most experienced photographers know, the smaller the lens aperture, the larger the depth of field. Unfortunately, “what a small...
After Bill Atkinson and I did our workshop at The Luminous Landscape Gallery this past October, Michael Reichmann was very intrigued with one of my methods for...
Fisherman’s Cove, Eastern Passage, Nova Scotia. Leica M8, ISO 320, 28 mm f/2.8 Elmarit ASPH at f/4.8 and 1/90 sec. A visually opaque Leitz Infa-Red...
A few days after my tutorial on platinum/palladium printing was published here on Luminous Landscape I received an email from Ron Reeder (co-author of Digital Negatives: Using Photoshop to Create...
A frequent question to landscape photographers is: “What filter did you use in that photograph?” This is usually because the person doesn’t believe the colours...
By Mike Johnston Many photographers and even some experienced and knowledgeable ones, seem permanently confused about contrast, especially when the word is used to describe...
by Mark Dubovoy The Pond I believe this image is an excellent example of The Unseen, as well as Hyper Reality Foreword Part one of...
by Peter Cox This is what video production does to you! Peter sacked out at lunch on the second day of shooting. Introduction If you’ve...