Reviews and commentary on various wide-format and panoramic cameras can be found by clicking on the links to the left or on the hyperlinked
My use ofPhotoShopis usually limited to straightforward image control and the occasional special technique to "rescue" or enhance a particular image. But many artists use
By:David F. Stein Pinhole imagery may be photographyÃs equivalent of drawing with chalk. Simple. Cheap. Accessible to anyone. Capable of astonishing, sophisticated
By: JR GEOFFRION MisconceptionsLike the digital audio revolution of the mid-80s, photography and the darkroom are going digital. Resolution is the most talked about
In the mid-1960's when I started working professionally as a photographer I used 35mm as often as I could even though most editors preferred —
By: Thom Hogan Readers know that I shoot primarily with medium format and Canon digital cameras these days. That leaves a large block of equipment
Editor's Note: One of the most frequent requests by both beginners, and even experienced digital darkroom workers, is for detailed step-by-step instructions on how
This is aPhotoshoptutorial. One of the aspects of digital image processing that causes a great deal of confusion is the many different ways that are
The Wonderful World of Image StitchingThere are a number of reasons why a photographer would want to stitch multiple images together. The most obvious is
This article is excerpted fromChapter 7ofAndrew Rodney's bookColor Management for Photographers. It is provided here as a counterpoint to a previously published article byNigel Williams,
The story is told that the Pope visited Michelangelo in his studio one day, and on seeing him sculpting his statue of David, the Pope
Order Now Comments & Reviews for Volume 2-Volume 3-Volume 4-Volume 5 LLVJ-4I am a retired Director of Photography from the motion picture business in Los
November 13, 2006 Regular contributor Alain Briot is back with his latest installment in the series Reflections on Photography, titled The Eye and the Camera.
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